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London, United Kingdom
DENIM DISCO is a blog dedicated to the pop music and culture of the 1970's. ~ Glam Pop and Discotheque Rock ~ The Sound Of The 70's ~ Contact:denimdisco@hotmail.co.uk
Showing posts with label PUNK ROCK. Show all posts
Showing posts with label PUNK ROCK. Show all posts

Wednesday, 14 July 2021

WIRED UP! ISSUE #18


The latest issue of WIRED UP! GAMZINE features an interview with DANIEL CAMILO who colourizes 60's and 70's photos of SKINHEADS, SMOOTHIES, FOOTBALL FANS and so on. Five examples of his work on early 70's SMOOTHIE youths are included and show how he brings those old snaps to life { check out his INSTAGRAM page for more: bovverglam }. Other items include Part 2 in a series of articles on the links between the 70's GLAM and PUNK scenes and an interview with the compilers of the KNUCKLE GIRLS LP's { plus the DENIM DISCO review of them  KNUCKLE GIRLS VOLUMES 1 & 2 }

Here's a brief teaser of the interview with THE KNUCKLE GIRL'S: DEMOLITION DAWN and SADO SHAZ:

QUESTION: Some of the songs on the LP could have been hits. I'm thinking of '' LOOKING FOR LOVE '' by GLO MACARI and '' FAREWELL '' by AYSHEA . Going the other way, which are the oddest cuts?

ANSWER: VIC LEZAL'S PROFESSIONALS are without doubt, the oddities from Vol.1. They were a 16-piece covers band from England, providing back up for touring performers like ANDY WILLIAMS and ENGLEBERT HUMPERDINK! House band at The Ritz nightclub in Manchester from 1973 for 37 years! '' BLITZ AT THE RITZ '' must have been made to promote the club

From Vol.2. '' LIFELIGHT '' by THE { NEW } SETTLERS, stands out in so much that it's an unlikely FOLK-GLAM hybrid that had it been a hit, would have been a very distant cousin to their previous claim to fame '' LIGHTNING TREE ''. That was the theme to the kids TV Show FOLLYFOOT

QUESTION: The ROCK FOLLIES tracks sound so much better than I remember. Time for a re-appraisal?

ANSWER: The two series of ROCK FOLLIES were originally broadcast in the UK in 1976 and 1977, during the two key development years of PUNK. So to your average punk on the street they already appeared a little quiant and dated. Although THE BUZZCOCKS did take their name from a TIME OUT MAGAZINE review of the show. '' Ever get a buzz, cock? '' being a typical phraze from JULIE COVINGTON'S character DEVONIA '' DEE '' RHOADES. I think the ROCK FOLLIES, though, definately wore their '' LITTLE LADIES '' T-Shirts with a keen sense of irony

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Tuesday, 1 October 2019

FLYOVER - THE HAMMERSMITH HUSTLE

                                           

                                               ''Keep Movin', Keep Movin', Keep Movin', Keep Movin'
                                                Keep Movin', Keep Movin', Keep Movin', Keep Movin'!''
                                       
         

                                                 ''Down London town with the noise 'n' bustle,
                                               We've got a dance, it's the Hammersmith Hustle!''


THE HAMMERSMITH PALAIS was a large DANCE HALL situated in a working class neighbourhood in WEST LONDON. Built in 1910 as Roller Skating Rink and converted to host ballroom dancing in the '20's, the venue weathered countless musical trends and was drawing crowds in excess of 2,000 for it's SATURDAY NIGHT DISCO during the mid seventies when songwriter/producer MIKE FINESILVER hit upon idea of a dance number with a distinctive LONDON flavour

Queuing to get into the Palais on a saturday night in '73

Finesilver had co-written the hit ''FIRE'' for THE CRAZY WORLD OF ARTHUR BROWN in the late 60's and went on to found PATHWAY STUDIOS with partner PETER KER. In early '76 he set about recording this cheeky tribute to ''THE HUSTLE'' by VAN McCOY In the tiny 8-TRACK STUDIO. He choose the name FLYOVER for the studio band {on account of a flyover running close to the venue} and ROCKET RECORDS pressed it on '45. It failed to set the world alight, but was presumably spun at the venue itself. Does anyone remember hearing it?

                                              Dancing around the handbag on a Saturday night

During the next couple of years the studio became synonymous with the early PUNK/NEW WAVE movement and the likes of THE DAMNNED, SHAM 69, SQUEEZE and MADNESS recorded there. One band that didn't were THE CLASH, but they recorded their own tribute to the venue ''WHITE MAN AT THE HAMMERSMITH PALAIS'' at BASING STREET STUDIOS up the road in Notting Hill around mid '78. Pathway continued to operate untill the mid 90's and The Palais finally shut it's doors in 2007 and was demolished in 2012




                                                                    ''Alright my son?

                                                                    Yeah! Lovely init'?

                                                                    Just keep on dancing''


 FLYOVER - THE HAMMERSMITH HUSTLE

FLYOVER - THE HAMMERSMITH HUSTLE {Part Two}