DENIM DISCO is a blog dedicated to the pop music and culture of the 1970's.
~ Glam Pop and Discotheque Rock ~
The Sound Of The 70's ~ Contact:denimdisco@hotmail.co.uk
The flamboyant GLAM ROCK explosion of the early 70's was largely instigated by performers who'd previously been involved in the 60's BRITISH POP BOOM. MARC BOLAN and DAVID BOWIE both achieved a degree of recognition with PSYCHEDELICIZED FOLK-POP numbers towards the end of the decade and SLADE, SWEET, MUD and GARY GLITTER had collectively produced a catalogue of under achieving 45's during the same period. As the trend grew, a number of previously successful artists were looking to join the party in order to reignite their flagging careers
The latest post from the excellent YESTERDAY'S PAPERS YouTube channel examines ' THE 60's STARS WHO JUMPED ON THE 70's GLAM ROCK BANDWAGON ' It's a great 25 min round-up that highlights a number of JUNKSHOP GREATS and reveals a clear winner in the form of a ROY WOOD, who achieved more success as part of THE GLAM SCENE than he had done as a member of THE MOVE during the late 60's
JUST ADD WATER RECORDS have recently issued two of the RAREST 70's JUNKSHOP GLAM numbers on 7'' VINYL
'' IT CAME IN THE NIGHT '' by A RAINCOAT first saw release in the UK on EMI RECORDS in 1976. The ART GLAM outfit were led by ANDY ARTHURS who went on to produce a number of NEW WAVE acts, including 999, THE SOFT BOYS, TONIGHT and LITTLE BO BITCH. The recording sits somewhere between the MIKE BATT penned '' HUMPHREY SONG '' and the TWISTED NURSERY RHYME feel that SYD BARRET utilized in early PINK FLOYD numbers. Underground film maker KENNETH ANGER later used the song in the soundtrack to his movie RABBIT'S MOON. The JAW release features a picture sleeve { originals came in a standard company one } and a new B-SIDE "Vote For Me"
''WE DON'T CARE '' by GUMBO could originally be found on the B-SIDE of '' THE DEVILS '', a disc that seems to have sunk without trace when it was released in selected EUROPEAN COUNTRIES in '74. Fittingly JAW have switched it to the A-SIDE for this release. It's a high energy GLAM / PROTO PUNK stomper that predates similar sounding numbers by THE RUNAWAYS. The song also turned up on a 4 song EMIDISC ACETATE which was simply marked as ' GIRL GROUP '. Nothing else seems to be know about the band. In case you are wondering: The photo on the sleeve is of an ALL MALE group called THE GOOD SHIP LOLLIPOP. It was used for the original release and presumably a GUMBO group shot is still to surface
* VINYL COLLECTORS TAKE NOTE: BOTH OF THESE RECORDS ARE LIMITED TO 300 COPIES EACH AND CAN BE BOUGHT DIRECTLY FROM JUST ADD WATER RECORDS
During the past few years, the NAUGHTY RHYTHM label have issued a series of EURO DISCO / FUNK compilations in the form of the COSMIC DISCOTHEQUE series. These VINYL ONLY releases are is a must for lovers of ARCANE 70's OBSCURITIES and the most recent addition '' ELEPHANT STOMP '' focuses on GLAM ROCK related INSTRUMENTALS
SIDE ONE fittingly kicks off with '' ELEPHANT STOMP '' by GALAHAD. The track was the B-SIDE of their 1972 release '' ROCKET SUMMER ''. The band were a UK studio project created by singer / songwriter GERRY MORRIS and producer TONY ASHDON. Stylistically it follows on from the densely textured PSYCH / GLAM crossover of the A-SIDE, but here the rhythm track is allowed a little space to breathe, presenting a nice contrast. Second up is '' THETA '', the B-SIDE of the 1974 JUNKSHOP classic '' MORNING BIRD '' by THE DAMNED. The track was originally issued with a vocal in the previous year as '' DOCTOR ROCK '' by KID ROCK.. Both versions were issued on the YOUNGBLOOD label. It's a FAST TEMPO, SYNTH LED ROCKER driven by PRESTON EPPS style BONGO WORK
THE DAMNED - THETA
'' ROCKET MAN '' by ELECTRIC TEAM is a FRENCH SYNTH ROCK number that was issued on the EURODISC label in 1974. The tune was penned by PHILIPPE RENAUX, who added a vocal to the track and issued it with his band ROCKETS the same year. The feel and melody bear some relation to '' ON THE ROAD AGAIN '' by CANNED HEAT, a song that was tellingly covered by ROCKETS a few years on, but it's one of the strongest tracks on the comp and a testament to how well the French were able to utilize SYNTHERSIZERS in the production of catchy POP INSTRUMENTALS { '' PEPPER BOX '' by THE PEPPERS being another example from the same year }
ELECTRIC TEAM - ROCKET MAN
'' ROCK AND ROLL DRUMMER '' by DUCTCH outfit THE ROCKETS is another obscurity highly cherished by lovers of JUNKSHOP GLAM. Here we have the B-SIDE: '' PART TWO '' . The 45' was issued on the PHILLIPS label in 1974 and it's a ROCKING DRUM FEATURE as the title indicates. The record appeared in the wake of UK Drummer COZY POWELL's '' DANCE WITH THE DEVIL '' hit. POWELL had taken inspiration from SANDY NELSON's '' LET THERE BE DRUMS '' and '' TEEN BEAT '' , which were recorded during the INSTRUMENTAL ROCK trend of the early 60's. THE ROCKETS used the same basic ingredients and threw in a little spice from the MORTON STEVENS / VENTURES '' THEME FROM HAWAII FIVE-0 ''. A very tasty concoction!
THE ROCKETS - ROCK AND ROLL DRUMMER { PART TWO }
'' B SIDE STOMP '' by BLITZ was the FLIP SIDE of '' MELODY LADY '', a FRENCH release from 1973 on the EURODISC POP label. It's a A WIGGED OUT PSYCH ROCKER that wouldn't sound out of place if it appeared on the SOUNDTRACK to a JESS FRANCO EXPLOITATION MOVIE. '' BIG TROUBLE { PART TWO } '' by T.N.T closes the first side. The band were a studio outfit created by JEREMY PAUL and PAUL LYNTON. The duo oversaw a number of projects in the early 70's and worked with the band HECTOR on their classic GLAM ROCK 45's. '' PART TWO '' elongates the break from the A-SIDE into a barely tethered BONGO BEATING, TRIBAL RAVE-UP. Surprisingly the number peters out at around the minute mark, but the track fades in, so it was possibly the climax of a much longer jam . A 1972 release on the UK JAM LABEL { which was a short lived venture connected to D.J.M }
T.N.T - BIG TROUBLE { PART TWO }
SIDE TWO starts with '' SLOW ROCK '' by K. W. Winston. The track isn't slow { breezing along at 140BPM }, but it certainly is rocking and the steady ROLLING SNARE BEAT, RAW GUITAR CHORDS and SAXOPHONE BLASTS revamped the 1950's INSTRUMENTAL ROCK sound of DUENE EDDY and LINK WRAY for the 1970's. The track appeared on the ARIOLA label in 1974 as the FLIP SIDE to '' DON'T ASK ME '' . As with the T.N.T track on SIDE ONE, it was produced by JEREMY PAUL and PAUL LYNTON. '' FLIGHT 2 '' by ANGELO & EIGHTEEN is altogether more curious. A one off project by two FRENCH CANADIANS that was produced by MICKEY MOST and released on his RAK label in '72. It incorporates elements of the TRIBAL FUSION of MIKE STEIPENSON's '' BURUNDI BLACK '' and the LATIN ROCK of TITANIC's '' SULTANA '' { both of which were EURO HITS in 1971 }. The track saw release as the B-SIDE of the POP ORIANTATED VOCAL '' MIDNIGHT FLIGHT '' and was based on the PERCUSSIVE BREAK that appeared at the end of that song
ANGELO & EIGHTEEN - FLIGHT 2
'' JUNGLE JUICE '' first appeared on the '' GO MOOG! - SMASH HIT'S SYNTHERISER STYLE '' LP by ELEKTRIK COKERNUT. The LP was conceived as a collection of instrumental covers and the track was the only original composition included. It's an awesome DANCEFLOOR MOVER that utilizes a '' ROCK AND ROLL PART TWO '' type GLITTER BEAT. The record was released on the budget MUSIC FOR PLEASURE LABEL in 1973
ELEKTIK COCKERNUT - JUNGLE JUICE
'' SAFARI ROCK '' by THE ROCKETTERS has a '' CAN THE CAN '' meets '' GUITAR BOOGIE SHUFFLE '' feel. BONGO BEATS and a few ANIMAL NOISES were mixed in to create a charming slice of GLAM EXOTICA. A FRENCH release on the DISQUES CARRERE label from 1975. '' SLOOP '' by THE SLOOPERS was another SYNTH ROCK / GLAM NOVELTY from writer / producer PHILIPPE RENAUX. A 1974 release on the FRENCH SINUS MUSIC label
THE SLOOPERS - SLOOP
THE COMP ends with '' DISCO DRUM { PART 5 } by THE CATS ' N ' JAMMER KIDS. A one off UK DISCO project from 1977 on the EBONY label { which was also home to the early RAH BAND recordings }. This cut was SIDE-B. It's a more stripped down take on the ' PART ONE ' top and has a unique and quirky BALEARIC / GLAM feel. A sparse HAMILTON BOHANNON style BEAT sets down a nice base for some BROODING SYNTH CHORDS and FUNKY SAX WORK as the number builds and drops around a couple of fleeting CONGA BREAKS, before reaching it's zenith by way of an assertive GLITTER BAND styled GUITAR RIFF. A perfectly MEASURED but INTENSE 3 mins and a great way to end this ECLECTIC and ENTERTAINING selection of INSTRUMENTAL ARTIFACTS
THE CATS ' N ' JAMMER KIDS - DISCO DRUM { PART 5 }
The latest issue of WIRED UP! GAMZINE features an interview with DANIEL CAMILO who colourizes 60's and 70's photos of SKINHEADS, SMOOTHIES, FOOTBALL FANS and so on. Five examples of his work on early 70's SMOOTHIE youths are included and show how he brings those old snaps to life { check out his INSTAGRAM page for more: bovverglam }. Other items include Part 2 in a series of articles on the links between the 70's GLAM and PUNK scenes and an interview with the compilers of the KNUCKLE GIRLS LP's { plus the DENIM DISCO review of them KNUCKLE GIRLS VOLUMES 1 & 2 }
Here's a brief teaser of the interview with THE KNUCKLE GIRL'S: DEMOLITION DAWN and SADO SHAZ:
QUESTION: Some of the songs on the LP could have been hits. I'm thinking of '' LOOKING FOR LOVE '' by GLO MACARI and '' FAREWELL '' by AYSHEA . Going the other way, which are the oddest cuts?
ANSWER: VIC LEZAL'S PROFESSIONALS are without doubt, the oddities from Vol.1. They were a 16-piece covers band from England, providing back up for touring performers like ANDY WILLIAMS and ENGLEBERT HUMPERDINK! House band at The Ritz nightclub in Manchester from 1973 for 37 years! '' BLITZ AT THE RITZ '' must have been made to promote the club
From Vol.2. '' LIFELIGHT '' by THE { NEW } SETTLERS, stands out in so much that it's an unlikely FOLK-GLAM hybrid that had it been a hit, would have been a very distant cousin to their previous claim to fame '' LIGHTNING TREE ''. That was the theme to the kids TV Show FOLLYFOOT
QUESTION: The ROCK FOLLIES tracks sound so much better than I remember. Time for a re-appraisal?
ANSWER: The two series of ROCK FOLLIES were originally broadcast in the UK in 1976 and 1977, during the two key development years of PUNK. So to your average punk on the street they already appeared a little quiant and dated. Although THE BUZZCOCKS did take their name from a TIME OUT MAGAZINE review of the show. '' Ever get a buzz, cock? '' being a typical phraze from JULIE COVINGTON'S character DEVONIA '' DEE '' RHOADES. I think the ROCK FOLLIES, though, definately wore their '' LITTLE LADIES '' T-Shirts with a keen sense of irony
WIRED UP! can be purchased via the following links:
The glorious WIRED UP! GLAM ROCK FANZINE has continued to publish unabated throughout the difficult year of 2020 and issue 16 recently landed just as the UK shut for a 2nd lockdown. Lack of live gigs has shifted the focus of recent issues more heavily in the direction of VINTAGE over NEO GLAM and this one features in depth interviews with JOHN ROSSALL from THE GLITTER BAND, ANDY ELLISON / CHRIS TOWNSON from the cult 70's band JET, a look at GTO FILMS { responsible for a trio of low budget glam based
movies } and the story behind the MICK ROCK publicity shot for MOTT THE HOOPLES '' ALL THE YOUNG DUDES ''
WIRED UP! can be purchased via the following links:
A Selection of 70's GLAM POP and DISCOTHEQUE ROCK Mixed By DENIM DISCO
TRACKLIST:
01 - April Wine - You Could Have Been A Lady
02 - Rick Derringer - Rock And Roll Hoochie Koo
03 - The Doobie Brothers - Pursuit On 53rd Street
04 - Cherry Vangelder-Smith - Jokers
05 - Shocking Blue - Ball Of Confusion
06 - Baker Gurvitz Army - Dancing The Night Away
07 - Poker - Driving In The City
08 - Zenda Jacks - Earthquake
09 - Rococo - Ultrastar
10 - Dragon - This Time
11 - Washington Flyers - Another Saturday Morning
12 - Pilot - Magic
13 - Mike Batt { with The New Edition } - Summertime City
14 - Brotherly Love - Weekend Love Affair
15 - Mark Bolan & T.Rex - Dreamy Lady
16 - Kristine Sparkle - Devil Woman
17 - Lulu - The Man Who Sold The World
18 - Child - River Of Love
19 - The Knack - Always
20 - Rubettes - Dancing In The Rain
21 - Mud - Shake It Down
22 - Glitter Band - Makes You Blind
23 - Life - Cat's Eyes
ANDY BOWN was a former member of 60's teen sensations THE HERD { a band that was fronted by a young PETER FRAMPTON } Following their demise he recorded a couple of solo LPs before making his first contribution to the GLAM ROCK ERA with the bowiesque single ''NEW YORK SATYRICON ZANY'' in 1974. The following year saw the first broadcast of the UK Pop TV Show SUPERSONIC! and Bown was asked to supply a theme to play over the opening credits
The show was presented by film and music producer MIKE MANSFIELD and lasted for a couple years, capturing many of the classic UK GLAM ROCK acts towards the end of their respective time in the limelight. The high energy GLAM BOOGIE number that Bown composed for the show was a perfect fit. Sounding like ROY WOODS WIZZARD and STATUS QUO having a frantic jam on ''THE TIME WARP'' from THE ROCKY HORROR PICTURE SHOW, it had every kid sitting on the edge of their seat in eager anticipation of each weeks show!
The latest issue of VIVE LE ROCK! magazine celebrates 50 YEARS OF GLAM ROCK with articles on SLADE, HELLO, THE GLITTER BAND, CHINNICHAP and SWEET [ including a final interview with the sadly missed STEVE PRIEST }. Nice to see the introductory feature namecheck DENIM DISCO along with the wonderful WIRED UP! fanzine and other keepers of the flame { see links at the end of this post }. The magazine is available from Newsagents in the UK and can also be ordered here: VIVA LE ROCK!
Leicester band LOCO released an excellent 45 on the BUK label in 1975 after they appeared on the NEW FACES TV TALENT SHOW. Both sides of the record were composed and produced by STEVE FERN who had previously led the 60's soul group FERNS BRASS FOUNDRY and worked with the former SPENCER DAVIS GROUP drummer PETER YORK. Side A ''AT THE LOCAL DANCE'' is a late period GLAM POP number that sounds reminiscent of MUD and early SHOWADDYWADDY, while the B Side ''THE MAN'' is a DISCOTHEQUE ROCK number that owes more than a little to the aforementioned SPENCER DAVIS GROUP
A Selection of 70's GLAM POP and DISCOTHEQUE ROCK Mixed By DENIM DISCO
TRACKLIST:
01 - Ike & Tina Turner - Nutbush City Limits
02 - Ruby James - Summertime Time
03 - Zenda Jacks - Rub My Tummy
04 - Bobbie McGee - Upside Down
05 - Fancy - Touch Me
06 - Suzi Quatro - Daytona Demon
07 - Harley Quinne - Rock And Roll Is Back Again
08 - Peter D. Kelly - Rock To The Juke Box
09 - Ray Burgess - Love Fever
10 - Brotherly Love - Public Enemy No.1
11 - David Scott - The Getaway
12 - Whistle - When The Lights Go Out On Broadway
13 - K.W Winston - Slow Rock
14 - Willy Zango - Hot Rod
15 - Peter Blake - Clever Dick
16 - Stanley Frank - S'cool Days
17 - Method - Hold On Tight
18 - Ian Hunter - Once Bitten, Twice Shy
19 - Mike Batt {With The Mad Hatters} - The House Of The Clown
20 - Lynsey De Paul - All Night
21 - Redbone - The Witch Queen Of New Orleans
22 - Area Code 615 - Stone Fox Chase
23 - Blackfoot Sue - Standing In The Road
DENIM DISCO will be helping to man the decks at PRETTIES FOR YOU on SATURDAY 14th SEPTEMBER 2019
PLAYING ONLY THE MOST RAMPAGING 70's GLAM AND BOVVERSOME BANGERS TILL LATE...CLAP YOUR HANDS AND STAMP YOUR FEET! - ENTRY IS FREE!
The event will be held at the stupendously groovy HELGI'S BAR - A venue dedicated to the music of the 60's and 70's with a matching period decor that makes you feel a spell has been cast to magically wizz you back to '72!
FULL DETAILS:
PRETTIES FOR YOU
SATURDAY 14th SEPTEMBER
FROM: 21:00-02:00
AT: HELGI'S 177 MARE STREET, HACKNEY, LONDON, E8 3HR, UNITED KINGDOM
''THE HEAT IS ON'' was the second solo release from the former FOX vocalist after she left the band in 1977.Her first solo effort ''GEORGINA BAILEY'' was a minor hit that year,but a follow up didn't materialize until 1979.The song's dreamy half time LATIN/REGGAE feel,pepped up by a FUNKY CLAVINET and TIMBALE DRUM FILLS had all the makings of a SUMMER HIT,but sadly that was not to be.Ironically the song was re-recorded by the former ABBA vocalist AGNETHA FALTSKOG a few years later.It used a very similar arrangement and would go on to be the singers biggest international solo release
US born GENO WASHINGTON enjoyed a degree of popularity in the UK during the late 60's.His high energy performances {inspired by STAX-VOLT artists like OTIS REDDING and EDDIE FLOYD} were unparalleled on this side of the water and Geno {with THE RAM JAM BAND} were a major live draw.His LP's {live documents of their shows} sold well,but hit 45's eluded him and as the 70's dawned,the band split and Geno returned home.He put his music career on ice for a few years and his next release didn't come untill the ''GENO's BACK'' LP for the DJM label in 1975
The 60's live LP's were mostly comprised of other peoples material,but for this comeback the majority of the songs were penned by the man himself {with some help from his brother-in-law PETER NOONE,better known as HERMAN from HERMAN'S HERMITS}.Despite his earlier reliance on cover songs,Geno proved to be a decent songwriter and the influences he used were quite wide ranging: LATIN FUNK {''HOLD ON MOMMA},REGGAE {''THE DEVIL'' and ''TELL ME PLEASE''} PHILLY SOUL {''LA LA LA''} POP ROCK {''ROCK ME MAE''} and a couple of numbers influenced by GLAM ROCK/GLITTER POP: ''HELP'' and ''BOOM BOOM'' DENIM DISCO cordially invites you to get an earful of JUNKSHOP GENO!
Union Express were a VOCAL HARMONY GROUP in the style of THE NEW SEEKERS.The band formed by songwriter/producer PAUL CURTIS enjoyed success across Europe with the song ''RING A RING A ROSES" in 1972.The record reached the number one spot in many counties,but follow up 45's {and an LP} failed to capitalize on it's success.Their final 45 was something else altogether ''ALLIGATOR FIX'' is a curio that sounds like an odd pairing of ABBA with SUZI QUATRO and stands as an off the wall example of 70's JUNKSHOP GLAM
''THE GETAWAY'' by DAVID SCOTT is a remarkable ROCK/SOUL number with a dynamic sound production.It was recorded at THE MORGAN SOUND STUDIO in Brussels,Belgium during 1975.The studio was set up as an expansion of the London Morgan Studios where a number of top selling records by the likes of:PINK FLOYD,LED ZEPPELIN,ROD STEWART and FREE were recorded
Engineer MIKE BUTCHER handled the bulk of the work at the Brussels wing and he certainly did a great job on ''THE GETAWAY''.The song leaps out of the speakers with a HARD GUITAR RIFF/SIREN SOUND/STRINGS intro and moves into a dynamic number that seemingly melds THE BEATLES ''GET BACK'' with ''CALL THE POLICE'' by HOT CHOCOLATE
The 45 was released on the Belgium independent DECIBEL RECORDS.A further DAVID SCOTT 45 ''DANCE DANCE MAMMA'' was released by the CNR label in the same year
In contrast to the superstars of the UK GLAM-ROCK scene,HELLO were not seasoned performers,but a group of genuine teenagers.The band were signed to
BELL RECORDS in 1972 and kicked things off with a couple of strong rocking 45's penned by songwriter RUSS BALLARD
Their first hit was the GLITTER BAND styled reading of the R'n'B classic ''TELL HIM''.The record reached number 6 in the UK charts at the end of'74.Subsequent releases fared less well and the best part of a year passed before another RUSS BALLARD song ''NEW YORK GROOVE'' returned them to the TOP TEN.Producer MIKE LEANDER mixed the beat loudly {as he did with his GARY GLITTER/THE GLITTER BAND productions} and captured a great performance from the band.The feel was somewhere between BO DIDDLEY and HAMILTON BOHANNON.A GLAM/DISCO fusion that was perfect for the time and perfect for the dance floor.The record spent nine weeks in the charts and peaked at number 9
In 1978 ACE FREHLEY the lead guitarist of KISS recorded a version of the song and scored a TOP 20 HIT in THE BILLBOARD HOT 100
70's ROCK FUNK and DISCOTHEQUE POP Mixed By DENIM DISCO
TRACKLIST:
01 - The Eagles - On The Boarder
02 - Thin Lizzy - Johnny The Fox Meets Jimmy The Weed
03 - Bob Welch - Outskirts
04 - Automatic Man - My Pearl
05 - Santana - She's Not There
06 - Heavy Metal Kids - Ain't Nothing But A House Party
07 - Elton John - The Bitch Is Back
08 - Geordie - She's A Teaser
09 - Slade - Standin' In The Corner
10 - Fogg - Dancin' To The Music
11 - Jo Jo Gunne - Run Run Run
12 - The Sensational Alex Harvey Band - Swampsnake
13 - Yellow Bird - Attack Attack
14 - John Young - Yesterday's Hero
15 - Bay City Rollers - Saturday Night
16 - Buster - Ring Around
17 - Chicory Tip - IOU
18 - Barry Blue - Tough Kids
19 - David Essex - City Lights
20 - Scorched Earth - On The Run
21 - Hot Chocolate - Makin' Music
22 - Life - Love Nest
THE COPS ARE OUT,THEY'RE RUNNING ABOUT
DON'T KNOW IF THEY'LL EVER BE ABLE TO BLOCK BUSTER OUT
HE'S GOTTA BE CAUGHT,HE'S GOTTA BE TAUGHT
'CAUSE HE'S MORE EVIL THAN ANYONE HERE EVER THOUGHT
''BLOCK BUSTER'' by SWEET was arguably the best CHINICHAP song and one that helped to define the UK GLAM ROCK sound. The record was released at the start of 1973 and spent 5 weeks at number one. Little wonder that the records producer PHIL WAINMAN wanted to re-use some of the elements of the record to replicate that success.
Later the same year WAINMAN co-wrote and produced ''PUBLIC ENEMY NO.1'' for the vocal harmony group BROTHERLY LOVE. The record resembled ''BLOCK BUSTER'' in a number of ways. The song also concerns a super criminal being hunted by the law. It opens with a SIREN SOUND and features both a chugging ''I'M A MAN'' riff and undulating TOM TOM drum pattern
HEY YOU,YOU BETTER COME OUT
YOU BETTER GIVE IN,YOU'RE SURROUNDED
SHOTGUN,THE MUSIC HE HEARS
WHEN IT RINGS IN HIS EARS
WE ALL RUN,FROM PUBLIC ENEMY NO.1
The song was completed with a 'cop show' brass/spoken word breakdown reminiscent of ''ARMED AND EXTREMELY DANGEROUS'' by FIRST CHOICE, another hit song from the same year. The record sounds like a smash, but seems to have made little impact. Perhaps the elements were a little too familiar to pop fans at the time?
WAINMAN seems to have been quite fond of the recording as a couple of years later he dusted it off and re-recorded the vocals with the band SON OF A GUN. It was released as the B-SIDE of their 45 ''MAN OF MY WORD''
Jumping forward to 1977 we find a record by CHILD that shares the same title and many hallmarks of the last two : SIREN SOUND intro {played on a synth},chugging SPIKY GUITAR and a TRIBAL REVERB-LADEN tom tom beat. The lyrics also concern a wanted criminal, but were sung from the perspective of the protagonist this time!
I'm PUBLIC ENEMY NUMBER ONE
MY ONLY FRIEND IS MY GUN
THE WAY I GOT MY NAME
I OUGHT TO DIE OF SHAME
CHILD would have a UK hit the following year with a cover of the CONWAY TWITTY/BILLY FURY standard ''IT's ONLY MAKE BELIEVE''. That and other releases present the image of a mannered SOFT ROCK act, but this German only 45 shows a heavier side of the band. It's not clear if the record was influenced by WAINMAN's ''PUBLIC ENEMY NO.1'' or by ''BLOCK BUSTER'' itself. Pure coincidence or knowing plagiarism? I don't think we will ever have the answer, but the recording is there for Glam Rock archivists and Junkshop Glam aficionados to enjoy!
An AUSTRALIAN GLAM ROCK 45 that owed much to the UK GLITTER sound of ALVIN STARDUST.The song was written and arranged by VANDA & YOUNG who were also doing good business with the likes of STEVIE WRIGHT,WILLIAN SHAKESPEAR and AC/DC
Ray promoted the single with appearances on the TV POP SHOW 'COUNTDOWN' and it gave him a TOP 10 hit in 75'