JOHNNY BRISTOL - NOT A FACSIMILE

JOHNNY BRISTOL enjoyed a creative and successful period as a SONGWRITER / PRODUCER working for  TAMLA MOTOWN from the late 60's onward. He co-produced '' AIN'T NO MOUNTAIN HIGH ENOUGH '' for MARVIN GAYE and TAMMI TERREL and also co-wrote and produced '' MY WHOLE WORLD ENDED { THE MOMENT YOU LEFT ME } for DAVID RUFFIN, '' TWENTY FIVE MILES '' for EDWIN STARR,  SOMEDAY WE'LL BE TOGETHER '' for THE SUPREMES and '' WHAT DOES IT TAKE { TO WIN YOUR LOVE } for JNR WALKER. He left MOTOWN in '73 and continued to produce records for CBS. When the company were unwilling to back him as a solo artist, he struck a deal with MGM and they released his Debut LP '' HANG ON IN THERE BABY '' the following year. The title track reached the US top ten when it was released on 45 and was hugely successful on the dancefloor. Today it's seen as one of the key records of the EARLY DISCO ERA 

The LP included a number of great DISCO / FUNK and DEEP SOUL BALLADS, but BRISTOL choose the COUNTRY / SOUL number '' MEMORIES DONT LEAVE LIKE PEOPLE DO '' as the follow up. He clearly had great enthusiasm for the song as he had already produced a version for JERRY BUTLER and later did the same for JOHNNY MATHIS and TOM JONES .Unfortunately his his own version failed to register in the same way that '' HANG ON IN THERE '' had . The LP contained another COUNTRY / SOUL number that had an unusual BAROQUE feel: '' LOVE ME FOR A REASON ''. The track was placed at the end of the LP and it fades into a reprise of the opening cut '' WOMAN, WOMAN ''. That could have been the end of the story, but the song was given to another MGM act: THE OSMONDS. Producer MIKE CURB went for a more straightforward sound for their recording and dropped the harpsichord / flute feature which was reminiscent of '' I DON'T KNOW HOW TO LOVE HIM '' from the musical '' JESUS CHRIST SUPERSTAR ''. Two hit versions of that song had been recorded { one by cast member YVONNE ELLIMAN and another by HELEN REDDY } and to cloud things further: the melody was presumed to have been lifted from a violin concerto by ' Bach fanboy ' FELIX MENDELSSOHN

The OSMONDS were at the height of their success and the gifted song eased into the US top 10. In the UK it did even better, reaching the number 1 spot where it joined '' HANG ON IN THERE '' in the TOP 5. Ironically it's possibly still the only hit pop song to contain the word FACSIMILE!

DISCO DONNY

In 1976 DONNY OSMOND released the ''DISCO TRAIN'' LP in an attempt to ride the early DISCO MUSIC gravy train.His solo career was on the wane by '76 and he was having to share some of the limelight with his sister MARIE.The record was seen as a chance to up his profile,but sales proved to be disappointing and it isn't remembered with great affection by the man himself.In his autobiography ''LIFE IS JUST WHAT YOU MAKE IT'' Donny quips that the train on the cover should have run him over and prevented him from recording it!

DISCO was starting to make serious inroads into the mainstream by '76 and more than a few pop performers began to incorporate disco elements in their music.With ''DISCO TRAIN'' Donny jumped wholeheartedly into the realm,or if we are to believe his later comments: pushed into it It would
be fair to say that the results were a bit hit and miss.How many songs with disco in the tile should
one LP contain? Well this one has three,which seems like two too many!

For me the standout tracks are the COUNTRY FUNK styled ''OLD MAN AUCTIONEER'',the single ''C'MON MARIANNE'' and a couple PHILLY SOUL influenced numbers in the form of ''DON'T NEED NO MONEY'' and ''NEVER GONNA LET YOU GO''.Cop an ear to the later two {via the clips below} and see what you think!


DONNY OSMOND - LET YOU GO


DONNY OSMOND - DON'T NEED NO MONEY