PUBLIC ENEMY NUMBER 1-2-3

THE COPS ARE OUT,THEY'RE RUNNING ABOUT
DON'T KNOW IF THEY'LL EVER BE ABLE TO BLOCK BUSTER OUT
HE'S GOTTA BE CAUGHT,HE'S GOTTA BE TAUGHT
'CAUSE HE'S MORE EVIL THAN ANYONE HERE EVER THOUGHT


''BLOCK BUSTER'' by SWEET was arguably the best CHINICHAP song and one that helped to define the UK GLAM ROCK sound. The record was released at the start of 1973 and spent 5 weeks at number one. Little wonder that the records producer PHIL WAINMAN wanted to re-use some of the elements of the record to replicate that success.

Later the same year WAINMAN co-wrote and produced ''PUBLIC ENEMY NO.1'' for the vocal harmony group BROTHERLY LOVE. The record resembled ''BLOCK BUSTER'' in a number of ways. The song also concerns a super criminal being hunted by the law. It opens with a SIREN SOUND and features both a chugging ''I'M A MAN'' riff and undulating TOM TOM drum pattern

HEY YOU,YOU BETTER COME OUT
YOU BETTER GIVE IN,YOU'RE SURROUNDED
SHOTGUN,THE MUSIC HE HEARS
WHEN IT RINGS IN HIS EARS
WE ALL RUN,FROM PUBLIC ENEMY NO.1

The song was completed with a 'cop show' brass/spoken word breakdown reminiscent of ''ARMED AND EXTREMELY DANGEROUS'' by FIRST CHOICE, another hit song from the same year. The record sounds like a smash, but seems to have made little impact. Perhaps the elements were a little too familiar to pop fans at the time?



WAINMAN seems to have been quite fond of the recording as a couple of years later he dusted it off and re-recorded the vocals with the band SON OF A GUN. It was released as the B-SIDE of their 45 ''MAN OF MY WORD''



Jumping forward to 1977 we find a record by CHILD that shares the same title and many hallmarks of the last two : SIREN SOUND intro {played on a synth},chugging SPIKY GUITAR and a TRIBAL REVERB-LADEN tom tom beat. The lyrics also concern a wanted criminal, but were sung from the perspective of the protagonist this time!

I'm PUBLIC ENEMY NUMBER ONE
MY ONLY FRIEND IS MY GUN
THE WAY I GOT MY NAME
I OUGHT TO DIE OF SHAME


CHILD would have a UK hit the following year with a cover of the CONWAY TWITTY/BILLY FURY standard ''IT's ONLY MAKE BELIEVE''. That and other releases present the image of a mannered SOFT ROCK act, but this German only 45 shows a heavier side of the band. It's not clear if the record was influenced by WAINMAN's ''PUBLIC ENEMY NO.1'' or by ''BLOCK BUSTER'' itself. Pure coincidence or knowing plagiarism? I don't think we will ever have the answer, but the recording is there for Glam Rock archivists and Junkshop Glam aficionados to enjoy!

RAY BURGESS - LOVE FEVER

An AUSTRALIAN GLAM ROCK 45 that owed much to the UK GLITTER sound of ALVIN STARDUST.The song was written and arranged by VANDA & YOUNG who were also doing good business with the likes of STEVIE WRIGHT,WILLIAN SHAKESPEAR and AC/DC

Ray promoted the single with appearances on the TV POP SHOW 'COUNTDOWN' and it gave him a TOP 10 hit in 75'

GONE BUT NOT FORGOTTEN - VERSION TO VERSION

KRISTINE SPARKLE began her recording career in the mid 1960's and experienced minor fame as part of the group FAMILY DOG at the turn of the decade. By the start of the 70's she was establishing herself on the UK CABARET CIRCUIT and appeared on TV SHOWS like BBC TV's CRACKERJACK {in which she sang and performed in sketches}

During this time she released a number of 45's for the DECCA label and in 1974 was offered ''GONE BUT NOT FORGOTTEN'' a song written by PAUL CURTIS.The recording was a step on from the GLAM POP novelty style of her previous Decca releases,being a well crafted and deftly orchestrated POP SOUL number.The song seemed perfectly placed to make headway at a time when SOPHISTI-SOUL from the likes of BARRY WHITE and PHILADELPHIA INTERNATIONAL recording artists were showing good sales in the UK




Sales proved to be thin despite the quality of the record and it was to be Kristine's last recording for DECCA.She switched to the POWER EXCHANGE label,dropping her surname and increasing sales with ''PUSSYCAT TIGER'' and the self penned ''DEVIL WOMAN'',a song which CLIFF RICHARD would later cover and earn a huge hit with

Meanwhile DECCA were intent on getting a hit with ''GONE BUT NOT FORGOTTEN'' and a further version was recorded and released in 1976.This time the song was given a stonger backbeat and a more upfront feel in keeping with the early DISCO productions that were enticing feet onto the dancefloor. The vocals were handled by CISSY STONE who led a hardworking band on the BIRMINGHAM club scene.The band appeared on the TV talent show NEW FACES and at one time included future SPECIALS keyboard man JERRY DAMMERS

This version seems to have done better business.It was spun at the leading NORTHERN SOUL venue THE WIGAN CASINO and receives plays on that scene to this day

PATHE NEWS REPORTS ON PLATFORMS

A 1970's UK news report from THE KING'S ROAD on a trend that threatened to cripple the nation: PLATFORM SHOES!

DOOLEY BOPPERS

THE DOOLEYS started out as a family showband in the late 60's and spent many years working in the VARIETY CLUBS of the UK. By 1975 they had added a couple of non family members, gained a recording contract and attracted some attention through performing the theme tune for the TV show ON THE MOVE.

The years of hard work finally paid off when they hooked up with the songwriting/production team of BEN FINDON and MIKE MYERS in 1977.Their breezy uplifting pop sound began to find it's way into the UK TOP 20 in the same year

The band were never a hip name to drop but it was odds on that their records would get the crowd bopping at DANCE HALLS and FUNCTION ROOMS back in the day. DENIM DISCO has four examples cued up, so roll back the rug and let the Dooley Hooley commence!

First up is ''THINK I'M GOING TO FALL IN LOVE WITH YOU''. Their first hit from the summer of 77'.A mid paced PHILLY DISCO styled shuffler with a catchy vocal melody, spot on harmonies and sweeping strings


''LOVE OF MY LIFE'' picked up where their first hit left off. Even more dizzy and exuberant than it's predecessor and their first TOP 10 entry in the same year


Their first 45 of 1978 ''DON'T TAKE IT LYIN' DOWN''. Even more DISCO punch was added to this one. It's an infectious dose of SUPER POP, but surprisingly it failed to shift units on the scale of the previous two


The band pulled out all the stops on ''WANTED''.A hook laden tour de force which sounds like ABBA mixing it up with ''THE SONG OF THE VOLGA BOATMEN''! They were rewarded with their highest chart placing when the record reached the number 3 spot in 1979